Tag Archives: exteroception

Do we have a sixth sense or more? – Andreas N. Bjørndal

 

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Most peo­ple re­gard the five senses as ab­solute and a pos­si­ble sixth sense as a kind of un­cer­tain ghost. Af­ter hav­ing looked into the five senses, let us ex­plore if there are more (see bot­tom for ar­ti­cles about the five senses). If you think about it, you do get sense in­for­ma­tion from more than the five senses.

A sense is de­scribed as a fac­ulty by which stim­uli or in­for­ma­tion from the out­side and in­side of the body is sensed. You can say you feel, re­ceive and be­come aware or per­ceive some­thing through a sense. Next to hearing, sight, smell, touch and taste you also feel equilibrium, temperature, well-being and more. 

The sense of proprioception (Proprius [lat.] “ones´s own” and capio “to grasp”) is the ability to perceive the relative position and motion of the body and perhaps the sense most often mentioned next to the famous five.

You could divide the senses in exteroception (outside world perception), interoception (inside or body perception) and the relation of the body with the environment as proprioception. Receptors in the joints, tendons and muscles become integrated in the brain telling us our relative position. We share this with many animals. Examples are when a bug tries to turn itself after falling on its back, knowing up side down; but also plants have been shown to have this sense knowing which direction to grow roots or leaves.

An acrobat or dancer cultivates this sense more than others. It is a question of being aware of yourself and your position and motions as a centre of the circumstances around you.

Rudolf Steiner calls it the sense of movement and regards it as one of the lower or more basic senses, what he calls the physical oriented senses. He calls it a sensation sense as different to feeling and cognitive senses.

Steiner has a remarkable understanding of this sense relation with the recognition of speech or the sense of word or concepts. You must be able to quiet your own speech, or stop nodding the head or moving restlessly to really hear another person. He said the sense of understanding or perceiving the meaning of the other is based on the development of the sense of moving.

Language research has also shown the relation between the ability to handle small details with your fingers and the development of language. The Waldorf Schools are famous for the way they connect the learning with body movement, particularly hand movement in primary school.

Just imagine, for a few seconds, all the movements you can do with the hands to just make people stop talking, keep talking, take a break, speak louder or whisper. It is not difficult to understand that you need to stop your own moving to grasp the words of another. If you have small children, you will often experience this challenge when addressing them and they are full of their own movement. A simple trick you can use is to address them with their complete name and it works even better if they have double names or two family names or if you are close to them, just touch them gently to reduce them in their movement and guide their attention gently to your direction.

To learn to listen to nature, perceiving the way nature moves or changes is a good start; a beginning in understanding its language. The change of different clouds, the changing weather, the flowering or falling of leaves can be seen as expressions. The book of nature is not read by static pictures but by perceiving how nature changes and moves.

The connection between motion and perception can also be understood from the first movies or silent film and from mime. If you are good in perceiving meaning you have been good in moving, if you are good in moving you are probably good in perceiving.

Steiner also shows how the feel­ing of free­dom of the soul is re­lated to this sense. You can just imag­ine the feel­ing of learn­ing and mas­ter­ing to walk, bike, swim or do­ing ac­ro­batic sports and the feel­ing it gives. Or how you can ex­press vic­tory or free­dom through move­ment. Just imag­ine the an­i­mals in colder coun­tries when they are re­leased into the fields in spring af­ter be­ing locked in­side for months. They jump and run out of the feel­ing of free­dom.

I like to look at the sense of move­ment and the sense of word or con­cepts from the per­spec­tive of early an­i­mal life in the sea. In very early or­gan­isms at the bot­tom of the sea we can see how they ei­ther feel safe and free and let the wa­ter run through them or how they con­tract their shell or them­selves dis­ap­pear­ing into a hole. Con­tract­ing or ex­tend­ing, clos­ing off or com­ing for­ward. When they come for­ward they open up to the whole sea with its dif­fer­ent sen­sory in­puts telling them about the other an­i­mals and con­di­tions in the vast ocean. This is a ques­tion of ei­ther con­tract­ing into a closed place of si­lence and no mo­tion or ex­tend­ing into the big ocean of all “the oth­ers” with all their noise and tastes flow­ing through the wa­ter.

When chil­dren tend to get timid or fear­ful and fall into them­selves, they need to be stim­u­lated to come for­ward, by feel­ing safe, telling them sto­ries so they stretch out of them­selves, give them op­por­tu­ni­ties to do work and change things in the en­vi­ron­ment, in the kitchen or gar­den through mov­ing. That will give them a feel­ing of mas­ter­ing and free­dom. As they come out they will also open up to per­ceive what is around them and learn to un­der­stand the other.

Read about the other senses here:
The eye a ques­tion of per­specive 

Jus­tice a mat­ter of nose

Love comes out of the mouth

The sense of touch is the foun­da­tion of kind­ness

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